ORDERING SCORES
by credit card
Introduction:
I have taken the view that anyone wishing to buy a
Stockhausen score will have some knowledge of the music first. Therefore, the
date of composition, has been left out and the timings known from the CD
recordings
before purchasing expensive scores.
Note: Except for the electronic music scores, works up to
no 31 (Spiral) are published by Universal Edition Ltd.
Orders from anywhere in the world can be supplied by contacting the
following
By post:Universal
Edition, 48 Great Marlborough St. LONDON W1F 7B
Universal Edition A.G, Forsthausgasse 9, A1200, Vienna, Austria
By telephone: London: 0207 292 9166.
e-mail:
uelondon@universaledition.com.
Vienna:
0043 133723.
e-mail:vertrieb@universaledition.com
Please note: UE scores have three
different prices - in pounds (the lowest), in
dollars, and in
euros.
Euro prices are shown without 7% tax which must be added. Postage for UE is not
included
in their advertised price.
ORDERING SCORES PUBLISHED BY
STOCKHAUSEN-VERLAG
1 Find the score you are interested in
purchasing in the list below.
2 Note the number of the score in the left hand column coloured
red.
3 Payment can be made through Paypal.com or
by bank transfer. Details under 'Ordering Service'
Payment system via credit
card
Converting the euro price to GBP in 10 simple
steps
1. Take the price of the score in euros, for example 40
euros.
2. Divide by the CURRENT EXCHANGE RATE for example 1.13
which is the rate at June 2nd 2010 until further
notice. This rate is the one
obtainable from travel agents, not the official rate.
3. This will give 35.99 rounded up to 2 x 2 digits.
4. Multiply 35.99 by 1.045 [Paypal transaction charge]
5. This will give a sum of 37.61 GBP
6. Repeat this for each score ordered and total up
the amount
7 Add £2.20 to this total for the whole order
to cover bank transfers, sending money to the Stiftung and society funds.
8 Log on to Paypal. Click on ‘Send Money’.
9 Type in
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10.Type in details of order. Then press ‘Send’
| order | Wk no | Title of score | Prices in €s |
Extra information |
|
| FRUHE NOTEN |
UE |
Choral, Drei Lieder, Chore fur Dori, Sonatine | |||
| 1/11 | CHŐRE FUR DORIS Choruses for Doris | UE | for a capella choir (cond) | ||
| 1/10 | DREI LIEDER Three songs | UE | for alto voice and chamber orch fl 2 cl bas tp trb 2 perc | ||
| 1/9 | CHORAL Chorale | UE | for a capella choir | ||
| 1/8 | SONATINE Sonatina | UE | for violin | ||
| 1/7 | KREUZSPEIL Cross-Play | UE | for oboe bass cl piano 3 perc | ||
| 1/6 | FORMEL Formula | UE | for orchestra | ||
| 1/5 | ETUDE (musique concrète) | no score | musique concrète | ||
| 1/4 | SPIEL Play for orchestra | UE | for orchestra | ||
| 1/3 | SCHLAGTRIO Percussive Trio | UE | for piano and 3 x timpani | ||
| 1/2 | PUNKTE Points | UE | for orchestra | ||
| no1 | KONTRA-PUNKTE Counter-Points | UE | for ten instruments | ||
| no 2 | KLAVIERSTÜCKE I-IV Piano Pieces 1-4 | UE | |||
| no 3/I | ELEKTRONISCHE STUDIE 1 Electronic Study 1 | no score | |||
| S1 | no 3/II | ELEKTRONISCHE STUDIE 2
Electronic Study 2 |
34.00 | ||
| no 4 | KLAVIERSTÜCK V Piano Piece 5 | UE | |||
| no 4 | KLAVIERSTÜCK VI Piano Piece 6 | UE | |||
| no 4 | KLAVIERSTÜCK VII Piano Piece 7 | UE | |||
| no 4 | KLAVIERSTÜCK VIII Piano Piece 8 | UE | |||
| no 4 | KLAVIERSTÜCK IX Piano Piece 9 | UE | |||
| no 4 | KLAVIERSTÜCK X Piano Piece 10 | UE | |||
| no 5 | ZEITMASSE Time-Measures | UE | |||
| no 6 | GRUPPEN Groups | UE | for three orchestras | ||
| no 7 | KLAVIERSTÜCK XI Piano Piece 11 | UE | |||
| no 8 | GESANG DER JUNGLINGE |
199.00 |
Facsimile edition 2001 (a special edition of all the sketches in colour 308 bound pages, hard cover) | ||
| no 9 | ZYKLUS Cycle for a percussionist | UE | |||
| no 10 |
CARRÉ |
UE |
For four orchestras and 4 choirs |
||
| no 11 | REFRAIN | UE | for piano/vibr/celesta | ||
|
S2 |
no 11½ | 3 x REFRAIN 2000 |
44.00 |
piano with 3 woodblocks, sampler-celesta 3 antique cymbals, vibraphone 3 cowbells, glockenspiel, sound proj Stockhausen Verlag | |
|
S3 |
no 12 | KONTAKTE Electronic sounds realisation score |
Electronic Music [state English or German ed] Electronic sounds realisation scores Stockhausen Verlag |
||
|
S4 |
no 12½ | KONTAKTE Contacts for electronic sounds, piano and percussion [perf score] |
86.00 |
score printed on one side only, unbound for performance purposes Stockhausen Verlag | |
|
S5 |
KONTAKTE as above [study score] |
71.00 |
score printed on both sides,
bound, as study score Stockhausen Verlag |
||
| no 12⅔ | ORIGINALE Originals | Musical Theatre with Kontakte | |||
| no 13 | MOMENTE Moments |
490.00 |
Original score 99 loose-leaf pages | ||
| MOMENTE |
490.00 |
Europe Version 1972 | |||
| MOMENTE | Momente consists of six inter-related sections. Each one costs 60 euros | ||||
| no 14 | PLUS-MINUS |
UE |
2 x 7 pages for a realisation | ||
| no 15 | MIKROPHONIE 1 Microphony1 | UE | |||
| no 16 | MIXTUR | UE | for 5 instrumental groups. 4 each of sine-wave generator players, sound mixers with ring modulators sound projectionis, | ||
| no 16½ | MIXTUR | UE | for small orchestra | ||
|
S6 |
no 16⅔ | MIXTUR 2003 | 140.00 | for five instrumental groups 4 x sine-wave generators, sound mixers, ring modulators, sound proj Stockhausen-Verlag | |
| no 17 | MIKROPHONIE II | UE | for 12 singers, Hammond organ (or synth) 4 ring modulators tape | ||
| no 18 | STOP for orchestra | UE | for orchestra | ||
| no 18½ | STOP (Paris Version) |
UE |
for 19 players in six groups | ||
|
S7 |
no 18⅔ | STOP UND START Stop and Start |
44.00 |
for 6 instrumental groups Stockhausen Verlag |
|
| no 19 | SOLO | UE | for melody instrument with feedback | ||
| no 20 | TELEMUSIK | UE | electronic music | ||
| no 21 | ADIEU | UE | for woodwind quintet | ||
| S8 |
no 22 |
HYMNEN Anthems | 38.00 | electronic and concrete music/sound proj Stockhausen-Verlag for prev. UE scores also | |
| S9 | no 22⅔ | HYMNEN - Third Region with orchestra | 100.00 | electronic music with orchestra/sound proj.Stockhausen-Verlag | |
| no 23 | PROZESSION | UE | for tam-tam, viola, electronium or synth, piano, microphonist, filterer and level controller | ||
| no 24 | STIMMUNG Tuning | UE | for six vocalists | ||
| no 25 | KURZWELLEN Shortwaves | UE | for 6 players: piano, electronium or synth, 2 x tam-tams, elec viola. sound proj. 4 short-wave receivers. | ||
| no 26 | AUS DEN SIEBEN TAGEN From the Seven days | UE | 15 text compositions for intuitive music | ||
| no 27 | SPIRAL | UE | for a soloist with short-wave receiver | ||
| no 28 | DR.K SEXTETT | UE | for flute, cello, tubular bells and vibraphone | ||
| no 29 | FRESCO for 4 orchestral groups | UE | for 4 orchestral groups | ||
| S10 | no 30 |
POLE/ (TOGETHER WITH EXPO) |
19.50 | for 2 players/singers with 2 shortwave receivers | |
| S10 | no 31 |
EXPO (TOGETHER WITH POLE) |
19.50 | for 3 players/singers with 3 short-wave receivers/sound proj | |
| S11 | no 32 |
MANTRA |
33.00 | for 2 pianists with woodblocks, antique cymbals, sine-wave generators and ring modulators | |
| S12 | no 33 | FÜR KOMMENDE ZEITEN For Times To Come | 19.50 | 17 texts for intuitive music | |
| S13 | no 34 | STERNKLANG Star Sound | 47.00 | Park Music for 5 groups (21 singers and instrumentalists) | |
| S14 | no 35 | TRANS | 58.50 | for orchestra and tape (or 8-track tape and strings, picc. trumpet and drummer. | |
| S15 | no36½ | AM HIMMEL WANDERE ICH In the sky I am walking | 38.00 | American Indian songs for two voices | |
| S16 | no 37 | YLEM | 24.50 | for 19 players/singers | |
| S17 | no 38 | INORI Adorations | 110.50 | for 1 or 2 soloists and orch | |
| S18 | no 38½ | VORTRAG ÜBER HU Lecture on HU | 58.50 | for a singer. Musical analysis of Inori with the prayer part for 1 or 2 dancer-mimes + orch or tape | |
| S19 | no 39 | ATMEN GIBT DAS LEBEN Breathing gives life | 50.50 | Choir opera with orch or tape | |
| S20 | no 40 and no 40½ |
HERBSTMUSIK
Autumn Music
with full score of ------------------------------------------------ LAUB UND REGEN Leaves and Rain |
47.00 | Musical theatre for 4 players --- ----------------------------------------------- for clarinet and viola |
|
| S21 | no 41 | MUSIC IM BAUCH Music in the Belly | 50.50 | for 6 percusionists and music boxes | |
| S22 |
no 41½ |
TIERKREIS Zodiac | 19.50 | 12 melodies of the star signs for a melody or chordal instrument | |
| S23 | Tierkreis for high soprano and high tenor/chord inst | 26.50 | |||
| S24 | Tierkreis for soprano or tenor/chord inst | 26.50 | |||
| S25 | Tierkreis for mezzo-sop/alto/low tenor + chord inst | 26.50 | |||
| S26 | Tierkreis for baritone and chordal inst | 26.50 | |||
| S27 | Tierkreis for bass and chordal inst | 26.50 | |||
| S28 | Tierkries for clarinet and piano | 26.50 | |||
| S29 | Tierkreis version for tenor or sop with chord inst | 26.50 | |||
| S30 |
no 41⅞ |
Tierkreis for chamber
orchestra clarinet horn bassoon strings |
26.50 | ||
| S31 | Tierkreis (Trio version) for clarinet, flute piccolo, trumpet and piano | 84.00 | |||
| S32 | Tierkreis Version 2003 for tenor or soprano and synthesizer | 55.00 | |||
| S32A | FIVE STAR SOUNDS FOR ORCHESTRA Five star signs for orch | 55.00 | |||
| S32B | FIVE MORE STAR SOUNDS for orchestra | 80.00 | |||
| S33 | no 42 | HARLEQUIN | 46.00 | for clarinet | |
| S34 | no 42½ | DER KLEINE HARLEKIN The little Harlequin | 23.50 | for clarinet | |
| S35 | no 43 | SIRIUS | 127.00 | electronic music and trumpet, soprano, bass clarinet, bass | |
| S36 | no 43½ | Aries (from Sirius) | 24.50 | for trumpet and electronic music | |
| S37 | no 43⅔ | Libra (from Sirius) | 71.00 | for bass clarinet electronic music (untransposed score & transposed score) | |
| S38 | no 43¾ | Capricorn (from Sirius) for bass and electronic music |
in preparation |
for bass and electronic music | |
| S39 | no 44 | AMOUR | 22.00 | 5 pieces for clarinet | |
| S40 | no 44½ | AMOUR | 22.00 | 5 pieces for flute | |
| S41 | no 44¾ | AMOUR |
33.00 |
5 pieces for saxophone | |
| S42 | no 44⅔ | VIER STERNE Four Stars | in preparation | for cello | |
| S43 | no 45 | JUBILÄUM for orchestra | 40.00 | for orchestra | |
|
no 46 |
IN FREUNDSCHAFT
|
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| S44 | clarinet | 15.50 | |||
| S45 | flute | 15.50 | |||
| S46 | recorder | 15.50 | |||
| S47 | oboe | 15.50 | |||
| S48 | bassoon | 15.50 | |||
| S49 | basset-horn or bass-clarinet | 15.50 | |||
| S50 | saxophone | 15.50 | |||
| S51 | violin | 15.50 | |||
| S52 | viola | 15.50 | |||
| S53 | cello or double bass | 15.50 | |||
| S54 | trumpet in flat with 4th attachment | 15.50 | |||
| S55 | horn | 15.50 | |||
| S56 | trombone | 15.50 | |||
| S57 | tuba | 15.50 | |||
|
LICHT (LIGHT)
|
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|
The
separate acts were not composed in sequence but have been listed here in
performance sequence |
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|
DONNERSTAG AUS LICHT
(Thursday from Light)
Nos.48-50 |
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| S58 | no 48½ | DONNERSTAGS GRUSS (Thursday's Greeting) for 8 brass instruments, piano 3 percussionists |
33.00 |
Includes Michael's Call for variable ensemble with 8 parts | |
| S59 | no 49 |
Act 1 MICHAELs JUNGEND Michael's Youth |
124.00 | ||
|
S60 |
no 48 | Act 2 MICHAELs REISE UND DIE ERDE Michael' Journey Round the Earth | 124.00 | ||
|
S61 |
no 50 |
Act 3
MICHAELs HEIMKEHR Michael's Homecoming |
152.00 | ||
|
S62 |
no 50¾ | DONNERSTAGs ABSCHIED Thursday Farewell | 18.50 | for five trumpets | |
|
Excerpts from Donn'stag's Gruss |
|||||
| 1 x 48½ | Michaels Ruf Michael's Call | for variable ensemble (8 parts) See Donnerstags Gruss | |||
| S63 | 2 x 48½ | Michael's Ruf Michael's Call | 16.50 | Version for 4 trumpets | |
|
Excerpts from Act 1 |
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| S64 | 49½ | Kindheit Childhood | 56.50 | for tenor, soprano, bass,
trumpet, basset-horn trrombone, dancer/ tapes. sound porj |
|
| S65 | 1 x 49½ | Tanze Luceva! Dance Luceva! | 44.00 | for basset-horn or bass-clarinet | |
| S66 | 2 x 49½ | Bijou | 49.00 | for alto, bass clarinet and tape | |
| S67 | 492/3 | Mondeva (Moon-Eve) | 56.50 | for tenor and basset-horn ad lib:
soprano, basss trombone, mime, elec org or synth, 2 tapes, s.p |
|
| S68 | 49¾ | Examen Examination | 56.50 | for tenor, trumpet, dancer, piano, basset-horn; Ad lib "jury" (spo, bass, 2 dancer mimes, 2 tapes s.p. | |
|
S69 |
ex 49¾ | Klavierstuck XII Piano Piece 12 | 27.50 | ||
|
S70 |
* |
Unsichtbarer Chöre Invisible Choirs |
67.50 |
for 16-channel a capella recording and 8-or 2-track playback | |
|
Individual scores from Act 2 |
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| S71 | 1 ex 48 | Eingang und Formel Entrance and formula | 18.50 | for trumpet | |
| S72 | 2 ex 48 | Halt | 27.50 | for trumpet and double bass | |
| 3 ex 48 | Kreuzigung Crucifixion | in preparation |
for trumpet and basset-horn 1, clarinet and basset-horn 2, 2 horns, 2 trombones, tuba, electric organ or synth | ||
| S73 | 4 ex 48 | Mission und Himmelfahrt Mission and Ascension | 27.50 | for trumpet and basset-horn | |
|
Individual scores from Act 3 |
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| S74 | 50½ | Festival |
101.50 |
for tenor, sop, bass/ trumpet,
basset-horn, trombone/ 2 sop saxophones/ elec.organ (or synth) 3 dancer-mimes/old woman/choir and orch/tapes |
|
| S75 | 1 ex 50½ | Drachenkampf Dragonfight |
46.00 |
for trumpet, trrombone elec org or synth | |
| S76 | 2 ex 50½ | Knaben Duet Boys' Duet |
13.50 |
for 2 soprano saxophones or other instruments | |
| S77 | 3 ex 50½ | Argument | 46.00 | for tenor, bass, elec.org or synth/tape.Ad lib:trumpet, trombone, percussionist | |
|
S77a |
502/3 | Vision | 51.00 | for tenor, trumpeter dancer Hammond org or synth | |
|
SAMSTAG aus LICHT (Saturday
from Light)
Nos 51-54 |
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| S78 | no 53½ | SAMSTAGs GRUSS Saturday's Greeting |
32.00 |
For 26 brass instruments and 12 percussionists | |
| S79 | no 51 | Scene 1LUZIFERs TRAUM Lucifer's Dream oder KALVIERSTÜCK XIII |
57.00 |
for bass and piano
printed on both sides A separate edition for performance purposes printed on one side |
|
| S80 | no 52 | Scene 2 KATHINKAs GESANG Kathinka's Chant als LUZIFERs REQUIEM | 84.00 | for flute and six percussionists
or as flute solo separate flute part included |
|
| S81 | no 53 |
Scene 3 LUZIFERs TANZ Lucifer's Dance |
148.50 | for bass (or trb or euph) piccolo trumpet, piccolo flute/symphonic band or symphony orchestra, stilt dancers, ballet or mimes for stages performances | |
| S82 | no 54 |
Scene 4 LUZIFERs ABSCHIED Lucifer's Fasrewell |
84.00 |
for men's chorus, organ, 7 trombones (live or tape) | |
| Excerpts & versions x Scene 1 | |||||
|
S83 |
51½ |
Klavierstuck XIII - study score |
53.00 |
printed on both sides | |
|
S83A |
51½ |
Klavierstuck XIII perf score |
57.50 |
printed on one side | |
| Excerpts & versions ex Scene 2 | |||||
| S84 | 51⅔ | Traum-Formel |
23.50 |
for basset-horn | |
| S85 | 52½ | Kathinkas Gesang |
86.00 |
Edition has two parts (i) version with flute and electronic music (ii) realisation score describing how elec mus was produced | |
|
Excerpts from Act 3 |
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| S86a | 1 x 53 | Linke Augenbrauentanz Left Eyebrow Dance | 73.50 | for flutes and basset-horn, percussionist, synthesizer player | |
| S86b | 2 x 53 | Rechter Augenbrauentanz Right Eyebrow Dance | score in preparation |
for clarinets,bassclarinets/percussionists/ synthesizer player |
|
| S87 | 3 x 53 | Linker Augentanz Left eye dance |
- |
for 2/3 sopr,sax, 2/3 alto sax, 1/2 tenor sax, 1/2 baritone sax, 1 bass sax,percussionist/synth player | |
| 4 x 53 | Rechter Augentanz Right eye dance |
- |
for oboes, English horns, bassoons, percussionist, synth player | ||
| 5 x 53 | Linker Backentanz |
- |
for trumpets, trombones percussionist synth player | ||
| 6 x53 | Rechter Backentanz |
- |
for trumpets, trombones percussionist synth player | ||
| S88 | 7 x 53 | Nasenflügeltanz Wings-of-the-nose-dance |
52.00 |
percussion solo or percussion and sytnesizer player | |
|
S89 |
8 x 53 | Oberlippentanz Upper-lip-dance "Protest" | 35.00 | piccolo trumpet/tromb or euph/4 or 8 horns, 2 percussionists OR as piccolo trumpet solo | |
| S90 | 9 x 53 | Zungenspitzentanz Tip-of-the-tongue dance | 35.00 | for piccolo-flute/dancer (ad lib) 2 euphoniums or synth, percussionist (ad lib) OR as piccolo solo | |
| S91 | 10 x 53 | Kinntanz Chin Dance |
40.00 |
Version for euphonium, percussionist, synth-player OR euphonium, percuss,alto trombones, tenor horns (baritones) tubas | |
|
MONTAG AUS LICHT
(Monday from Light) Nos 55-59 |
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|
S92 |
no 55 | MONTAGs GRUSS (EVA GRUSS) Monday Greeting (Eve's Greeting) |
34.00 |
for multiple basset-horn and elec. keyboard instruments (bassett-horn live and tape, or tape only) | |
|
S93 |
no 56 | EVAs ERSTGEBURT (Eve's first birth-giving) Act 1 | 203.50 | for 3 sop.3 ten. bass/actor, choir (tape or live): depicted on stage by 21 actresses/children's choir/modern orch (s synth, 1 perc. tape) | |
|
S94 |
no 57 | EVAs ZWEITGEBURT (Eve's Second Birth) Act 2 | 163.50 | for 7 solo boy singers/basset-horn, 3 basset-teases/ piano/choir (tape or live) depicted on stage by 21 actresses) girls choir/modern orch (as in Scene 1) | |
|
S95 |
no 58 |
EVAs ZAUBER (Eve's
Magic) Act 3 |
153.00 | for basset-horn, alto flute with piccolo flute/choir/children's choir modern orchestra (as in Act 1) | |
|
S96 |
no 59 | MONTAGs ABSCHIED (Monday's Farewell) | 34.00 | for piccolo flute, multiple-soprano voice, elec. keyboard instruments | |
|
S96A |
1 x 59 | Quitt Even | 40.00 | for 3 players (for example alto flute, clarinet, piccolo trumpet) | |
|
Excepts from Montag aus Licht |
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|
Act 1 |
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| S97 | Luzifers Zorn Lucifer's Fury | 49.00 | for bass, actor, synth player, tape | ||
| S98 | Geburtsfest Festival of Birth | 61.50 | Version of Evas Erstgeburt for a capella choir and tape | ||
| S99 | ex 57 | Mädchenprosession Girls Procession | 40.00 | for a cappella girls' choir or women's choir + piano | |
| S100 | Klavierstück XIV Piano Piece 14 | 16.50 | |||
|
Act 2 |
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| S101 | The Seven Songs of the Days | 34.00 | for voice (or child's voice) or voice and chordal instrument or for melody inst or melody inst and chordal inst | ||
| S102 | Wochenkreis Circle of the Week | 100.50 | Duet for basset-horn and synthesizer | ||
|
Act 3 |
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| S103 | Ave | 76.00 | for basset-horn and synthesizer player | ||
| S104 | Evas Spiegel Eve's Mirror | 16.50 | for basset-horn | ||
| S105 | Susani | 23.50 | for basset- horn | ||
| S106 | Susani's Echo | 20.50 | for alto flute | ||
| S107 | Der Kinderfänger The Pied Piper | 86.00 | for alto flute with piccolo, 2 synth players percussionist, tape | ||
| S108 | Entführung Abduction | 24.50 | as solo for piccolo flute | ||
| S108A | Entfuhrung Abduction | 60.00 | Version for sop.saxophone and
electronic and concrete music or as solo saxophone Accompanying disc for rehearsals and stereo performances 18.50 |
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|
Other excerpts |
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| S109 | Flautina | 25.00 | for solo for flute with piccolo and alto flute | ||
| S110 | 2 x 59 | Ypsilon | 19.50 | for a melody instrument with microtones | |
| S111 | 4 x 59 | Ypsilon | 28.50 | Version for flute | |
| S112 | 3 x 59 | Ypsilon | 44.00 | Version for basset-horn | |
| S113 | Xi | 19.50 | for a melody instrument with microtones | ||
| S114 | Xi | 25.00 | as above Version for basset-horn | ||
| S115 | Xi | 21.50 | as above Version for alto flute | ||
|
DIENSTAG AUS LICHT
(Tuesday from Light) Nos 47,60, 61 |
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| S116 |
no 60 |
DIENSTAGs GRUSS Tuesday Greeting) Welcome with Peace Greeting | 45.00 | for soprano, 9 trumpets, 9 trombones, 2 synthesiser players. choir conductor and co-conductor | |
| S117 |
no 47 |
JAHRESLAUF auf DIENSTAG Course of the Years Act 1 | 148.50 | for tenor bass/4 dancer-mimes/an actor-singer, 3 mimes, little girl, beautiful woman, mod. orch/tape, or as quasi concert perf for tenor bass mod orch/tape | |
| S118 |
no 61 |
INVASION-EXPLOSION mit ABSCHIED (I-E
with Farewell) Act 2 Important see scores 58, 59 |
163.00 | for solo soprano, tenor,bass/ 3 trumpets (1st always plays flugelhorn, 3 trombones, 2 synth players with 2 assistants/ 6 tutti trumpets, 6 tutti trombones (ad lib) choir, 8-track tape (octophonic electronic music) | |
| S119 |
no 61⅔ |
DIENSTAGs ABSCHIED Tuesday Farewell | 40.00 | for choir, a player of electronic keyboard instruments, electronic music | |
| Alternative Concert Performance of: | |||||
| S120 |
no 47½ |
DER JAHRESLAUF The Course of the Years for tape and modern orchestra = 3 harmoniums anvil 3 piccolo flutes bongo three sop sax bass drum elec harpsichord (or syth/sampler) guitar |
79.00 |
Note: This was the first work of the Licht Cycle but cannot be performed in this version as Act One of Dienstag
(Tuesday) which has much additional material added for this purpose. As Act 1 of Dienstag it is no 47 |
|
| S120A | 1 ex 61 | OCTOPHONIE
electronic music of Act 2 of Tuesday from Light |
61.50 | ||
| Excerpts from Dienstag's Gruss | |||||
| S121 | 1 x 60 | Willkommen Welcome | 20.50 | for trumpets, trombones, 2 synthesizer players | |
|
S122 |
2 x 60 |
Sukat |
35.00 |
for alto flute and basset-horn [no sound proj] | |
|
Excerpts from Dienstag aus Licht |
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| S123 | 1 ex 47 | Piccolo from Course of the Years | 14.50 | ||
| S124 |
2 ex 47 |
Saxophone from Course of the Years | 18.50 | for solo soprano sax or same with bongo | |
| S125
|
2 ex 61 | Signale zur Invasion Signals to Invasion | 40.00 | for trombone and electronic music | |
| S126 | 61½ | Pietà | 40.00 | for flugelhorn, soprano, electronic music, or for flugelhorn and electronic music | |
| S127 | ex 61⅔ | Synthi-Fou (Piano Piece XV) | 40.00 | for a player of electronic keyboard instruments and electronic music | |
|
|
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| S128 |
no 64 |
FREITAG-VERSUCHUNG Friday Tempation | 203.50 | for sop , baritone, bass, flute, basset-horn, children's orch, children's choir, 12 choir singers, a synthesizer player, 12 couples of dancer-mimes (optional in concert performances), electronic music with sound scenes (24-track tape) | |
|
Excerpts from Freitag |
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| S129 | Antrag (real scene 1) | 35.00 | for soprano, bass, flute, basset-horn electronic music, sound projection (fingerings for wind insts included) | ||
| S130 |
Children's Orchestra, Children's Choir- Children's
Tutti (real scenes 2,3,4) |
50.00 | Scenes can be performed
inivdiually. Score contains Children's orchestra (16 insts)and soprano, flute, basset-horn , a synthesizerplayer, electronic music Children's Choir (e.g 24 voices) and bass, a synth player, electronic music Children's Tutti for children's orch, children's choir, soprano, bass, flute, basset-horn, synth-player, electronic music |
||
| S131 | Zustimmung Consent (real scene 5) | 35.00 | for soprano, bass, flute, basset-horn, electronic music | ||
| S132 | Fall (real scene 6) | 35.00 | for soprano, baritone, flute, basset-horn, electronic music | ||
| S133 | Kinder-Krieg Children's War (real scene 7) | 35.00 | for children's choir, synthesizer, possibly basset-horn. electronic music | ||
| S134 | Reue Repentance (real scene 8) | 35.00 | for soprano, flute, basset-horn, electronic music | ||
| S135 | Elufa (real scene 9) | 44.00 | flute, basset-horn, | ||
| S136 | Chor-Spirale Choir Spiral (real scene 10) | 23.00 | for 12 choir singers (3S 3A 6B) electronic music ad lib | ||
| S136A | Vibra-Elufa | 39.00 | for vibraphone | ||
| S137 | Freia | 26.50 | for flute | ||
| S138 | Freia | 29.50 | for basset-horn | ||
| S139 | Klavierstück XVI Piano Piece 16 | 30.50 | for tape stringed pf, electron keyboard insts | ||
| S139A | Klavierstück XVI | 45.00 | for synthesizer with stringed pf
and tape version by Antonia Pŕrez Abellán |
||
| S140 | CD for Klavierstuck XVI | 19.00 | for rehearsals and stereo perf, the compact disc electronic music for PPXVI | ||
| S141 | Komet Comet as Piano Piece XVII | 38.00 | for electronic piano, electronic and concrete music, sound projectionist | ||
| S142 | (additional material for above) | 23.00 | For rehearsals and stereo perf, the compact disc 64 electronic music for PPXVII | ||
| S143 | Komet | Version for a percussionist, electronic and concrete music. Contact Stockhausen-Verlag | |||
|
MITTWOCH AUS LICHT
Wednesday from
Light Nos 65-71 |
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| S144 | no 65 | MITTWOCHs GRUSS Wednesday's Greeting | 50.00 | Electronic Music score | |
| S145 | no 66 | WELT-PARLAMENT World Parliament (Scene 1) | 151.50 | for a cappella choir (with singing conductor) | |
| S146 | no 68 | ORCHESTER-FINALISTEN Orchestra Finalists (Scene 2) | 75.00 | for orchestra, electronic music | |
| S147 | no 69 |
HELIKOPTER- STREICHQUARTET Helicopter String Quartet (Scene 3) |
102.00 | for string quartet, four helicopters with pilots and 4 sound technicians/4 television transmitters. 4 x 3 sound transmitters, auditorium with 4 columns of televisions, 4 columns of loudspeakers, sound proj with mixing console/moderator ad lib | |
| S148 | no 70 | MICHAELION (Scene 4) | 163.00 | for choir, bass with short-wave receiver/flute, basset-horn, trumpet, trombone/ synth player, tape, 2 dancers | |
| S149 |
no 71 |
MITTWOCHs ABSCHIED Wednesday's Farwell | Electronic Music Score | ||
|
Excerpt from Mittwoch |
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| S150 |
no 67 |
Licht-Ruf Call from Light |
14.50 |
for trumpet, basset-horn, trombone or other instruments (for example as interval signal on tape) [5 x 22" or more often] | |
|
Solos from Orchester-Finalisten |
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| S151 | oboe | 19.50 | with compact disc of electr music | ||
| S152 | violoncello | 19.50 | with compact disc of electr music | ||
| S153 | clarinet | 19.50 | with compact disc of electr music | ||
| S154 | bassoon | 19.50 | with compact disc of electr music | ||
| S155 | violin | 19.50 | with compact disc of electr music | ||
| S156 | tuba | 19.50 | with compact disc of electr music | ||
| S157 | flute | 19.50 | with compact disc of electr music | ||
| S158 | trombone | 19.50 | with compact disc of electr music | ||
| S159 | viola | 19.50 | with compact disc of electr music | ||
| S160 | trumpet | 19.50 | with compact disc of electr music | ||
| S161 | double bass | 19.50 | with compact disc of electr music | ||
| S162 | Electronic music CD for above | 19.00 | for 11 soli from Orch. Finalisten | ||
|
Other excerpts from Mittwoch |
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| S163 | 3 ex 70 | Bassetsu-Trio | 34.00 | for basset-horn, trumpet and trombone | |
| S163A | Bassetsu | 40.00 | for basset-horn | ||
| S164 | Thinki | 30.50 | for flute | ||
| S165 | Rotary | 22.50 | for woodwind quintet | ||
| S166 | Rotary (5 perf scores) | 50.00 | with transpositions and special fingerings | ||
|
SONNTAG AUS LICHT
Sunday from Light
Nos 75-80 |
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| S167 | no 75 |
SONNTAGS
GRUSS Sunday's
Greeting) Lichterwasser |
102.00 | for soprano, tenor and orchestra with synthesizer | |
| S168 | no 76 | ENGEL PROCESSIONEN Angel Processions Scene 2 | 140.00 | for a capella choir | |
| S169 | no 77 | LICHT-BILDER Light-Pictures Scene 3 | 164.00 | for basset-horn, flute with ring-modulation, tenor, trumpet with ring-mod, synthesizer | |
| S170 | no 78 |
DŰFTE-ZEICHEN
Scents-Signs Scene 4 |
140.00 | for 7 vocalists, boy's voice,
synthesizer sound projectionist |
|
| S171a | no 79 |
HOCH-ZEITEN High
Times Scene 5 |
168.00 | for choir | |
| S171b |
HOCH-ZEITEN High
Times Scene 5 |
158.00 | for orchestra | ||
| S172 | no 80 | SONNTAGS ABSCHIED (Sunday Farewell ) | 148.00 | electronic music (5 synthesizers) | |
| excerpts from Sonntags Abschied | |||||
| S173 | no 80½ | Strahlen Rays | in prep | for a percussionist and 10-track tape. Contact Stockhausen-Velag] | |
| Excerpts from Dufte-Zeichen | |||||
| S174 | Cuchulainn (Monday Scent) | 36.00 | for soprano with synthesizer | ||
| S175 | Kyphi (Tuesday Scent) | 39.00 | for tenor and bass with synthesizer | ||
| S176 | Mastix (Wednesday Scent) | 37.00 | for soprano, tenor and baritone | ||
| S177 | Rosa Mystica (Thursday Scent) | 37.00 | for tenor with synthesizer | ||
| S178 | Tate Yunanaka (Friday Scent) | 39.00 | for soprano and tenor with synthesizer | ||
| S179 | Ud (Saturday Scent) | 37.00 | for bass with synthesizer | ||
| S180 | Weihrauch Frankincense (Sunday Scent) | 42.00 . |
for soprano and tenor with synthesizer | ||
| S181 | Knaben-Duft (Boy Scent) | 37.00 | for alto solo and synthesizer acc. by six vocalist live or on tape | ||
| S182 | Himmels-Duft (Heaven's Scent) | 40.00 | duet for alto and boy with synthesizer and six vocalists live or on tape | ||
|
OTHER WORKS |
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|
S183 |
no 73 |
TRUMPETENT | 29.50 | for four trumpets (with tent accessory?) | |
| S184 |
no 72 |
EUROPA-GRUSS Europe Greeting | 34.00 | for winds and synthesizers (ad lib) [12 1/2] | |
| S185 |
no 74 |
LITANEI 97 | 35.00 | for choir and conductor [23] | |
| Hours |
KLANG |
€s | |||
| K1 | no 81 | 1st | HIMMELFAHRT Ascension | 80.00 | |
| K2 | no 82 | 2nd | FREUDE Joy | 60.00 | for two harps |
| K3 | no 83 | 3rd | NATÜRLICHE DAUERN Natural durations | 80.00 | for piano |
| K4 | no 84 | 4th | HIMMELS-TUR Heavens'sDoor | 60.00 | for a percussionist and a little girl |
| K5a | no 85.1 | 5th | HARMONIEN Harmonies | 36.00 | for bass clarinet |
| K5b | no 85.2 | HARMONIEN | 36.00 | for flute | |
| K5c | no 85.3 | HARMONIEN | 36.00 | for trumpet | |
| K6 | no 86 | 6th | SCHÖNHEIT Beauty | for bass clarinet trumpet flute | |
| K7 | no 87 | 7th | BALANCE | 60.00 | for bass clarinet, english horn flute |
| K8 | no 88 | 8th | gluck | for bassoon english horn oboe | |
| K9 | no 89 | 9th | HOFFNUNG Hope | for cello viola violin | |
| K10 | no 90 | 10th | GLANZ Brilliance | for bassoon, viola, clarinet, trumpet trombone oboe tuba | |
| K11 | no 91 | 11th | treue | bass clarinet basset-horn Eflat clarinet | |
| K12 | no 92 | 12th | ERWACHEN Awakening | cello, trumpet soprano saxophone | |
| K13 | no 93 | 13th | COSMIC PULSES | no score | electronic music |
| K14 | no 94 | 14th | HAVONA | 36.00 | for bass and electronic music |
| K15 | no 95 | 15th | ORVONTON | 36.00 | for baritone and electronic music |
| K16 | no 96 | 16th | uversa | for basset-horn and electronic music | |
| K17 | no 97 | 17th | NEBADON | 36.00 | for horn and electronic music |
| K18 | no 98 | 18th | JERUSEM | 36.00 | for tenor and electronic music |
| K19 | no 99 | 19th | URANTIA | 36.00 | for soprano and electronic music |
| K20 | no 100 | 20th | EDENTIA | 36.00 | for soprano saxophone and elec. music |
| K21 | no 101 | 21st | PARADIES | 36.00 | for flute and electronic music |